Director<\/strong> Pinter-koden<\/strong> <\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" An evening with Pinter Played in Krudtt\u00f8nden 2006 Director Cast: Sira Stampe,\u00a0Gordon Kennedy. Tom McEwan, Ian Burns Pinter-koden Harold Pinters dramatik p\u00e5 originalsprog \u2013 en luksusvare? Ja, men lige til at g\u00e5 til. Af S\u00f8ren Vinterberg **** Forrige \u00e5rs litter\u00e6re nobelpristager opf\u00f8rt p\u00e5 originalsproget p\u00e5 en dansk scene \u2013 d\u00e9t burde m\u00e5ske v\u00e6re en selvf\u00f8lge […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-287","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/that-theatre.com\/index.php?rest_route=\/wp\/v2\/pages\/287","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/that-theatre.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/that-theatre.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/that-theatre.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/that-theatre.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=287"}],"version-history":[{"count":4,"href":"http:\/\/that-theatre.com\/index.php?rest_route=\/wp\/v2\/pages\/287\/revisions"}],"predecessor-version":[{"id":646,"href":"http:\/\/that-theatre.com\/index.php?rest_route=\/wp\/v2\/pages\/287\/revisions\/646"}],"wp:attachment":[{"href":"http:\/\/that-theatre.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=287"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n<\/span> Cast:<\/strong> Sira Stampe,\u00a0Gordon Kennedy. Tom McEwan, Ian Burns<\/p>\n
\n Harold Pinters dramatik p\u00e5 originalsprog \u2013 en luksusvare? Ja, men lige til at g\u00e5 til.<\/strong>
\n Af S\u00f8ren Vinterberg<\/strong>
\n ****<\/strong>
\nForrige \u00e5rs litter\u00e6re nobelpristager opf\u00f8rt p\u00e5 originalsproget p\u00e5 en dansk scene \u2013 d\u00e9t burde m\u00e5ske v\u00e6re en selvf\u00f8lge i en europ\u00e6isk hovedstad, men det er nu alligevel en gave. Som gymnasiernes drama- og engelskl\u00e6rere og deres elever vil vide at p\u00e5sk\u00f8nne.<\/em>
\n Men som kan nydes af enhver helt uden p\u00e6dagogiske bagtanker: Harold Pinter er suver\u00e6n i sin dissektion af det sprog, hvormed vi s\u00f8ger at d\u00e6kke os selv og f\u00e5 andre til at afsl\u00f8re sig. Den \u00e5bne tvivl, den slet skjulte mistanke og den helt uudtalte, men nu desto farligere trussel \u2013 alle lokaliseret mellem linjerne:<\/em>
\n I det s\u00e6rlige tryk p\u00e5 et ord, i den del af s\u00e6tningen, der ikke siges, ordet, der gentages med en lille undren eller afsmag. Hele det mesterskab i humor og ford\u00e6kthed, han folder ud i \u2019The Collection\u2019.<\/em>
\nEn lille time spiller denne sprogmusikalske fuga over temaet bedrag og sandhed, efter at vi f\u00f8r pausen har fulgt tre kortere etuder: Stampe i mobil-monologen \u2019Special offer\u2019, McEwan og Kennedy i den absurde samtale p\u00e5 direktionskontoret om \u2019Trouble in the works\u2019, og Burns med den vragede mands selvbedrag i cruise-passagerens \u2019Monologue\u2019.<\/em>
\nFor korte til helt at komme til live, men som tre smagspr\u00f8ver p\u00e5 Pinters teknik og tematik alligevel obligatorisk pensum.<\/em><\/p>\n![\"Pinter-4\"](\"http:\/\/that-theatre.com\/wp-content\/uploads\/2016\/04\/Pinter-4.jpg\")
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