\nCast:<\/strong>\u00a0Tom McEwan, Linford Brown and Ian Burns<\/p>\n
Played at\u00a0Krudtt\u00f8nden 2003<\/p>\n
Peter Johannes Erichsen, Weekendavisen<\/strong> Copenhagen Post<\/strong> Politiken, Bettina Heltberg wrote:\u00a0<\/strong> <\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" Waiting for Godot Director\u00a0Nina Larissa Bassett Cast:\u00a0Tom McEwan, Linford Brown and Ian Burns Played at\u00a0Krudtt\u00f8nden 2003 Peter Johannes Erichsen, Weekendavisen \u201dNina Larissa Bassetts akkurate iscenes\u00e6ttelse og Julian Simpsons middle of nowhere-scenografi holder good old Godot p\u00e5 banen. V\u00e6rd at venter p\u00e5\u201d. \u201dTruppen l\u00e6ner sig i sit finurlige spil trygt tilbage i Becketts univers.\u201d \u201dTungnemt underfundige […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-297","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/that-theatre.com\/index.php?rest_route=\/wp\/v2\/pages\/297","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/that-theatre.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/that-theatre.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/that-theatre.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/that-theatre.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=297"}],"version-history":[{"count":5,"href":"http:\/\/that-theatre.com\/index.php?rest_route=\/wp\/v2\/pages\/297\/revisions"}],"predecessor-version":[{"id":620,"href":"http:\/\/that-theatre.com\/index.php?rest_route=\/wp\/v2\/pages\/297\/revisions\/620"}],"wp:attachment":[{"href":"http:\/\/that-theatre.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=297"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\u201dNina Larissa Bassetts akkurate iscenes\u00e6ttelse og Julian Simpsons middle of nowhere-scenografi holder good old Godot p\u00e5 banen. V\u00e6rd at venter p\u00e5\u201d. \u201dTruppen l\u00e6ner sig i sit finurlige spil trygt tilbage i Becketts univers.\u201d \u201dTungnemt underfundige Linford Brown , der i bedste Harpo Marx stil kreerer Estragon over for Ian Burns ‘ stateligt grinagtige Vladimir\u201d\u00a0<\/em><\/p>\n
\n\u201dThat Theatre Company presents the play in its intended surreal minimalist fashion with superb direction from Nina Larissa Bassett. The intense emotions of the play come across well due in large part to two excellent performances from Ian Burns and Linford Brown who play Vladimir and Esragon respectively. The play runs smoothly and faithfully to Beckett’s original vision, capturing both the play’s absurd comedy and tragedy, while simultaneously leaving the audience with a vision of the modern world that is hard to take\u201d. <\/em>\u00a0<\/em><\/p>\n
\n\u201dH\u00c5BET \u2013 N\u00e5r han f\u00e5r lov til at spille p\u00e5 sit eget sprog, afl\u00f8rres det, hvilken formidabel Tom McEwan er. Det foreg\u00e5r p\u00e5 Krudtt\u00f8nden, der kommer med et godt nutidigt tilbud p\u00e5 et teater, vi troede var pass\u00e9\u201d. \u201dVil man se det varme i stykket \u2013 det varme hos Beckett \u2013 er det b\u00e5de den klovnagtige charme, Ian Burns og Linford Brown udf\u00f8rer deres roller med.\u201d\u00a0<\/em><\/p>\n![\"Godot\"](\"http:\/\/that-theatre.com\/wp-content\/uploads\/2016\/04\/Godot-225x300.jpg\")
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